The first definition of a gypsy in the dictionary belongs to a nomadic people originating in north-western India, which has spread throughout the centuries in many Asian countries, Europe, Egypt and other places in Mediterranean Africa, characterized by somatic features such as the colorful brown-olive and the hair and eyes particularly dark, and rich cultural traditions, which are expressed mainly in music and dance: a caravan of gypsies; the gypsy camp. Another definition of Gypsy is a very untidy and filthy person: he looks like a gypsy; she is dressed like a gypsy.
Zingano is also a gypsy. Synonyms and antonyms of zingano in the Italian dictionary of synonyms. Examples of use in the Italian literature, quotes and news about zingano. Su, maestro.
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Odi, quel giovane : Se mandassi per me ora il Pontefice, I' non v' andrei. E 'l volesse far vescovo. Conoscetemi Voi? Giovanni Maria Cecchi, Giovanni Tortoli, E '1 volesse far vescovo. E' dice il ver ; cerca d' un altro medico, Che io son qui occupato. Conoscetemi voi? I' sono il Zingano Famiglio d' Otto. Alla buon ora l o zingano O moro, io ho faccenda. Nel frattempo componeva Il claustro di S. Michele in Bosco , una descrizione delle celebri Storie dei ss. Benedetto, Cecilia e Valeriano affrescate da Ludovico Carracci e allievi, considerate il contraltare bolognese alla galleria farnesiana di Annibale lettera ad Aprosio del 14 giugno Perini, , pp.
La descrizione era accompagnata da riproduzioni in rame commissionate all'incisore G. Giovannini, suo protetto. In sede testamentaria, il 22 nov. Nel testamento il M. Maria della Vita, con l'obbligo di esporlo ogni anno il decimo giorno di settembre e nelle ricorrenze solenni. Giacomo Maggiore.
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In questa prospettiva riequilibrante, vanno investiti della giusta portata i tardi contatti con Papebroch e J. Mabillon, che il M. Sorbelli, Bologna negli scrittori stranieri , Bologna , p. Fonti e Bibl.
Zani, Memorie, imprese e ritratti de' signori accademici Gelati di Bologna raccolte nel principato , Bologna , pp. Corsi, and, in the course of a Carnival Eve celebration of the year , staged the production in the presence of his excellence Sig. Don Giovanni and a few of the great gentlemen of our city. The pleasure and sense of wonder that this new spectacle provoked in the souls of the audience cannot be described, it is enough to say that for each of the many times the production has been performed, it has generated the same admiration and the same pleasure.
Of the six arias that survive from the lost score of La Dafne, two are attributed to Jacopo Corsi. For one or both of these revivals, La Dafne was produced at the Palazzo Corsi in a revised version. See Weaver, Of these various performances, only the libretto from the revival survives. Previous performances, which were smallscale private performances at the Palazzo Corsi, probably did not require a published libretto.
La Dafne was revived again in and , the former in honour of the Duke of Parma. Ottavio Rinuccini rappresentata in casa de Sig. Jacopo Corsi.
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Ottavio Rinuccini staged in the house of Sig. Melchior Palantrotti. Jacopo Giusti. Antonio Brandi. Peri implies that the role of Euridice was sung by Vittoria Archilei. He probably sang the role of Orfeo himself.
watch Giovanbattista Jacomelli del Violino. Giovanni Lapi. There is an engraving on the last page. Scenes are not numbered or headed, but changes can be inferred from text and scene change directions. But this thought was completely dispelled from my soul by Sig. Jacopo Peri, who, having heard my opinion and the intention of Sig. Jacopo Corsi, with great kindness put to music the tale of Dafne, which I had composed in order to show what the music of our times could accomplish. It was much appreciated by the few people who heard it. I was much encouraged by this and gave better form to the same tale, which Sig.
Jacopo once again staged in his house. As a result the tale was favoured not only by the nobility of this great nation, but also the Serene Grand Duchess. But the Euridice received much greater praise and fortune when it was set to music by the same Peri with admirable skill. It was first printed in Sartori As the title indicates, this fifth printing included four intermedi set to music.
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These were first published in in Bologna Sartori Giacobbi was a pioneer of the new style outside of Florence. Filarmindo is entirely in verse. Each act concludes with a chorus. Several sections are marked with versi virgolati. Campeggi was a member of the accademico dei Gelati in Bologna; some editions of this play are published with his pseudonym, Rugginoso Gelato.
Allacci ; Sartori C-Tu not listed Filarmindo was a popular work in the early seventeenth century and brought Campeggi his 5. CMP Gagliano, Marco da d.
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Weaver and Weaver list no performance of this work in , since no mention of one is made by contemporary diarists. They suggest that the printing of the libretto may have been a commemorative publication Weaver, It was first performed on 23 or 25 September as Lo Sposalizio di Medoro ed Angelica at Palazzo Pitti, Florence, though no libretto from this performance is extant. The dedication is signed by the librettist Andrea Salvadori. As Salvadori states in the dedication, this production did not take place because of the hasty departure of the new Empress for Austria probably on account of the uprisings in various parts of the Empire during the early days of the Thirty Years War.
To avoid the work being misrepresented i. Unfortunately Il Medoro could not benefit from such grace on account of the sudden departure of Her Majesty to Germany, and so it was content to stay hidden in the company of its author rather than come to light in the context of a lesser event. But having now heard that a part of it was transcribed and made known in various places, and that there is The Baroque Libretto 65 the risk that it be not only staged but also sent to press in a very different form from the one it had in my company, I judged it well that it should make a public appearance, however that may be, and present itself as belonging to Your Highness.
Marco da Gagliano, will render it worthy and gratifying. Marco da Gagliano. List of scenes. Giulio Parigi. Agnolo Ricci. Sartori 66 The Baroque Libretto The page numbers are not in sequence pp. Three poems addressed to Salvadori precede the argomento, two by Agnolo Capponi and one by Gabriello Chiabrera. The title page of this libretto see Plate 13 corresponds very closely, although not precisely, to the first of three printings described by Weaver The more ample title page of the third printing incorporates material from the argomento almost verbatim.
For the list of characters, see Plate Weaver and Weaver also mention a printing in , with dedication dated 20 December, although there is no record of a performance that year The argomento provides important information about the two gala productions of and The argomento was published separately, and is listed in Sartori without a number vol. Today, in this same theatre, a new field has been opened, that is the possibility of staging, to our greater benefit and delight, true and sacred Christian actions, leaving behind the empty fables of the pagans.
The music is lost.
Related Il principe degli zingari (Italian Edition)
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